TA012 | Autoclav1.1: Love No Longer Lives Here

Autoclav1.1: Love No Longer Lives HereMainly known for his promotional work within the electronic music scene, Tony Young aka: Autoclav1.1 turned his hand to writing music late 2004. Since then he has had numerous successes including two EP’s, two albums ‘You are my all and more‘ [Crunchpod] and ‘Visitor Attractions’ [Crunchpod], and more recently a remix album ‘Broken Beats for Broken Hearts‘ [Hive], all of which have cemented Autoclav1.1 as one of the more prolific artists on the scene. Fusing huge orchestral compositions and IDM with flashes of Industrial and modern Electronica, Autoclav1.1 is quickly gaining a reputation for pulling on the deepest of human emotions with a variety of melodies and real-time instrumentation frequently torn apart by paranoid beatwork and broken rhythmical structures.

On Love no Longer Lives Here, his third and latest studio album and first for rising US label Tympanik Audio, Young changes the goal posts once more and treads some new waters without forgetting his roots. More emphasis has been placed on heart rendering piano sections and soul capturing melodies. The introduction of more organic instruments are thrown into the mix with a splash of guitars and affectionate nods to other musical genres which add a new dimension altogether, displaying a maturity and growth that we have come to expect with each Autoclav1.1 release. The album includes guest appearances from Jamie of ESA (Electronic Substance Abuse) and Dave from Cradle of Filth, and highlights Autoclav1.1’s diversity and willingness to work within different musical scopes.

Love no Longer Lives Here‘ is a dark and brooding creature, overshadowed by moments of hope, that studies the modern human condition; a concept album that exposes the very essence of existence as it is today.

All is black, all is white. There is no grey or in between…

Prepare to be initiated…

“I absolutely love it. …I cannot recommend this album enough.” – Wounds Of The Earth

“…captivating.” – Igloomag

“…the must-have album of the year. Don’t pass this one up.” – They Fell

“…the perfect soundtrack to the modern creative mind.” – Sphere Magazine

“Excellent. … a really strong album…” – Aliens E-zine

“…an impressive album-oriented work from an artist you should really get to know. …a genuine stunner.” – DarkTwinCities

“Tony Young has made a big leap forward with ‘Love No Longer Lives Here’… and delivers his finest work to date…” – Reflections Of Darkness

“Like Howard Shore and Robert Miles crossed with Vangelis, flavoured with the crisp rhythms of the Industrial movement.” – Andrew Hawnt (freelance writer)

“Anyone who is interested in electronic experimental music, Autoclav1.1′s ‘Love No Longer Lives Here’ is an absolute must!” – Re:Gen Magazine

“Beats are impeccably constructed, with harmonic development on a grand scale strung across every composition, making for some truly satisfying deep listening.” – Connexion Bizarre

“A very compelling album with beautiful melancholic sounds as well as refreshing ideas.” – Gothtronic

“…such a leap forward that it forces you to reassess what came before.” –

“‘Love No Longer Lives Here’ is by far one of the best releases (this year)…” – Enochian Apocalypse


  1. Casually Losing Selected Memories
  2. All For You [full track preview]
  3. The Essential Condition
  4. All Long Black Spirals [clip preview]
  5. We Shatter Sometimes
  6. Tiny Matters
  7. It’s Indifference [clip preview]
  8. Hell Is The Face Of Love
  9. This Stranger Hope
  10. Trails Without Pathways [clip preview]
  11. Six Minutes To Live




The Best 13 Musical Instruments for Kids With Rhythm

Music teaches kids lots of skills. Learning to play music requires commitment and discipline and if you splash out on an instrument, you need to know your child is going to put time and effort into practicing their skills. Children can learn rhythm, beat, pattern recognition, and even math from music. Musical instruments for kids can also help to cultivate social skills while collaborating to make music together.

Parents rarely have to be convinced of the merits of teaching their children the alphabet or how to count, but adding music to their daily schedule can often be a stretch. But here’s the thing: there are SO many benefits to encouraging your child to learn to play music. But with so many musical instruments for kids how do you make the right pick?

To help you choose the right starter kit for your child, here is my list of the top musical instruments for kids.

What To Look For When Choosing The Best Musical Instruments For Kids

Choose the right musical instrument for your child will encourage them to learn to play the musical instrument; it boosts the love for music. Choosing the wrong musical instrument has the opposite effect. These features will help parents decide what is best for their little ones.

Your child’s age is crucial for picking the best musical toys; choose sturdy, age-appropriate instruments. Young children don’t have the hand-eye coordination, motor skills, or ability to play instruments that are right for older kids.

  • Ages Under 2. Babies are too young to understand musical concepts; playing kids musical instruments means banging it for sound effects. The best musical instrument for kids so young is toy piano, little drums, xylophone, and maracas.
  • Ages 2-4 Years. The best musical instruments for toddlers are instruments that develop the foundations of music concepts. Instruments like the violin, piano, kalimba, and keyboard are excellent for kids in this age group that understand why they are learning to play a musical instrument. Very young kids enjoy shaking musical toys like rattles, bells, rain sticks, and tambourines.
  • Ages 5-6 Years. Children prefer instruments they don’t have to hold or lift, like the ukulele or guitar and other large string instruments. Great instruments for this age group are the piano, drums, and violin.

The child’s musical ability also influences the type of instrument. Musically inclined kids will prefer more complex instruments than children who use them as musical toys.

The child’s size determines what type of musical instrument they can handle. Smaller hands and height make it difficult to hold and play large instruments.

Some musical instruments for kids, like a child-size violin, come in smaller sizes for easier handling.

The child must be able to hold and play the instrument long enough to complete a half an hour practice session. Large woodwind and low brass instruments like the trombone, tuba, saxophone, concert harp, and Basson are too heavy for toddlers and small children.

Children play musical instruments for the sound effects. If your child doesn’t like the sounds of the musical instruments, they won’t enjoy playing them.

Let your child decide what they want to play. Some kids will clearly show which musical instruments they prefer. Many music shops allow for a trial session where they introduce kids to different instruments.

Musical Instruments for Kids Compared

The Best Instruments For Children Reviewed

Best Traditional Kids Musical Instrument: Kalimba Thumb Paino 17 Keys

The Kalimba Thumb Piano is an excellent beginner instrument for a kid or an adult. The traditional African Kalimba music is soothing and, based on logic, easy to learn. Have fun with your kid, accompany them on the guitar or sit back and relax listening to century-old sounds played by a modern kid.

Kids four years and older can play the kalimba; it doesn’t take hours to learn songs. Your kid can learn their first song within five minutes with the downloaded play guidance. The value for money purchase includes the Kalimba thumb piano, a tuning hammer, an instruction book, stickers, cleaning fabric, and the flannelette bag to keep the kalimba safe.

The thumb piano is handcrafted with high-quality material and ore steel bars. The polished smooth surfaces protect little fingers and soft nails. The natural air-dried wood, providing the ethereal timbre, matches with the natural wood grain. Keys embossed with letters and notes won’t fade or rub off like sticker notes finger pianos. A hand-rest curve design ensures hands are ergonomically correctly angled to play a song.

The Kalimba Thumb Piano comes with a 60-days unconditional return guarantee. It is an excellent gift for kids. Motivate your kid to play more songs with the free downloadable electronic songbook.

Best Keyboard Piano For Kids: Hamzer 61-Key Portable Electronic Keyboard Piano With Stand

Designed for beginners and intermediate-level musicians, the Hamzer 61-Key Portable Electronic Keyboard Piano is one of the best musical instruments for any kid. Hamzer is known for its professional quality keyboards, and this keyboard piano is no exception.

Kids learn quickly to play songs with single and fingered chords. The built-in recorder with playback features will help budding musicians improve their vocal and playing skills. It’s not for babies, but for any child who dreams of playing music. The integrated learning system features 61 keys, excellent acoustics, and the option to play traditional piano or organ sounds. The transparent stickers will help to identify piano keys.

Expect great sound from the built-in speakers; it features 255 timbres, 255 rhythms, 61 keyboard percussions, and 24 demonstration songs. Play for an audience through the external speakers or practice privately with headphones. The purchase includes a microphone with a 4 feet cord, audio input, output, and headphones. The keyboard features single and fingered auto-bass chords, chord timbre selection, vibrato-sustain-ensemble effects, tempo adjustment, volume control, rhythm sync, and program/edit rhythms for the best sound and effects.

The lightweight piano with its stand and stool is easy to set up and transport to music lessons and venues. With the three-position adjustments, the stand is adjustable to your kid’s height. For extended play, plug in the US-standard 110-120 volt power adapter or power it with 6 AA batteries (not included).

Best Set Of Percussion Instruments: Ehome Percussion Instruments With Storage Backpack

The Ehome 15 piece rhythm instrument set is a complete rhythm band in an easy-to-carry bag. These 15 instruments are perfect to get your little ones moving, grooving and marching to the beat in their own head. These child-sized instruments are awesome for group play-dates – with 15 to choose from, everyone will be able to play. They also help build up motor skill development, hand-eye coordination and creative expression for your young tyke.

Best Musical Toys For Elementary Schoolers: Fun Fiddle Kids Violin by Lil Virtuoso

The Fun Fiddle Violin is an easy-to-use electronic violin that plays seven beautiful classical pieces by Bach, Paganini and Mozart. This cool junior violin will instill a love of music in your child and teach them the basics of bowing and musical notes. They can also create original melodies by pressing the buttons and using one of three activity modes.

Great Musical Toys For Coordination: Schylling Kids Accordion

The Schylling kids accordion looks and sounds just like the real thing. It’s a finely crafted wooden musical toy that’s easy to play, but full instructions are included. This accordion has seven keys, a buckle and strap for the bellows, an air valve, harmonic and bass. Kids will be able to play simple tunes, which will stand them in good stead if they decide to take up accordion playing later in life.

Best Musical Instrument Set For Rhythm: Hohner 6 Piece Rhythm Instrument Set

The Hohner 6 piece rhythm instrument set is a complete rhythm band in a box. When your child opens up the box, they will find a tambourine, triangle with striker, rhythm sticks, cymbals with two mallets, a wood sounder and mallet, and a nylon wrist bell. Also included in the set are age-appropriate sing and play activity cards for kids to try out their musical skills. It’s a great set for making music at home!

Best Blowing Instruments For Kids: Click n’ Play Set of 2 Musical Wind Instruments for Kids

Children aged 3 years and above will have lots of fun learning to make music with this Click n’ Play set of two wind instruments, which features a toy saxophone and trumpet. Each instrument produces realistic musical notes and the keys are color-coded, so kids can learn to play the songs printed on the box. The set is an ideal introduction to learning how to play musical instruments.

Best Musical Sounds For Multiple Kids B. Toys Parum Pum Pum Drum Eight-Piece Drum Kit

The B. Toys Parum Pum Pum Drum eight-piece drum kit is perfect for toddlers and younger kids. It comes with silly centipede drumsticks, busy bee maracas, a clacker, jingle bell ants, a caterpillar tambourine, and shaka-shaka eggs. These drums have a carry handle to make it easy for small hands to walk around marching to their own musical rhythm.

Best Drum Set For Motor Skills Development: VTech KidiBeats Drum Set

The VTech KidiBeats drum set is the perfect sensory development toy for younger children. There are three drum pads and a cymbal, each with a distinctive sound, plus two drum sticks. Toddlers aged 2-5 years can play using letters, numbers, or follow-along systems. Or they can just have fun with a ‘free play’ session.No need for an additional padded drum throne; toddlers play seated on the floor or standing when elevated.

Best Classical Musical Instrument: Glockenspiel Xylophone Musical Instrument

Glockenspiel xylophones are a classic musical instruments for kids and even very young kids will love to have a go at making music on one of these wonderfully simple toys. This xylophone comes with two wooden mallets and a color coded songbook, so your child will be able to start playing simple tunes immediately.

Great Kids Toy To Sing And Play Songs: Hape Kid’s Wooden Toy Ukulele

The Hape Early Melodies ukulele is a nice, sturdy ukulele for young children. This is the perfect tool to teach kids all about basic rhythm and strumming. The instrument can be tuned very easily, so you don’t have to listen to hideous out-of-tune music. Buy your budding Beethoven a ukulele and she can have fun developing her natural musical talent.

Best Guitar For Young Rock Stars: Little Tikes PopTunes Guitar

If your child wants to become a rock guitarist, the Little Tikes PopTunes guitar should get them on the road to success from an early age. This fun musical toy is made from translucent grey plastic and features red and blue LED lights. Kids can play pre-sent tunes or practice their rock ‘n roll riffs on the strings. There is even a special effects ‘whammy bar’!

Best Drum Sounds For Preschoolers: Plan Toy Solid Wood Drum

The Plan Toy solid wood drum is a simple toy, but one that is bound to become a firm favorite in any musical household. Give your child this toy as a gift and let them learn all about rhythm through play. The drum is kid-friendly enough for toddlers and pre-school children and when struck with the rubber-tipped drumstick, it emits a pleasant melodic sound.

As the name implies, it comes with a wooden drum and a child-sized drum stick the perfect size for kids and toddlers alike. It’s one of our favorite instruments for kids due to it’s longevity; this drum should last long enough for your grandchildren to play with it.

Beautiful Instrument For Country Musick Fans: Clearly Colorful Translucent Harmonica by Hohner

If you’re looking for an inexpensive musical stocking filler or party favor, look no further. These cute plastic harmonicas are available in assorted different colors and come with a protective plastic sheath. They are a fantastic first musical instrument for younger kids and despite the cheap price tag, the scale is accurate and they are a great learning tool for musically minded children.

We have tried to include the best musical instruments for kids, from wannabe rock stars to classical musicians, but if you have any great recommendations, let us know your tips in the comments below.

Feature image courtesy of Flickr, fred_v.

Bryan is the current editor of Fractus Learning. Coming from a background of financial and governmental research, Bryan is excited about being able to meld his passion for technology and education in one place.

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15 Best Musical Toys For Toddlers + Kids (1-4 years old) 2022

While it’s no secret that music is essential for early childhood development, finding the best musical toys for toddlers can feel overwhelming. After all, you want something that supports the child’s development fully, while still being fun to play with at home ideally beyond the preschool years. Below, you’ll discover the best toddler music toys for 1-year-olds to 4 year olds. Including toddler music instruments, games, and even bedtime music toys and band sets!

Whatever you’re looking for, we’ve got you covered!

Best Music Toys For Toddlers

Best Overall Musical Starter Pack For Toddlers Development: iBaseToy Toddler Musical Instruments

If you’re not sure of which instrument to give your child, you can’t go wrong with this 23-piece variety pack from iBaseToy. It’s one of the most complete and well rounded musical instrument packs. It comes with popular classics like xylophones, maracas, castanets, multiple tambourines, and the tried and true recorder. As well as a kazoo, hand bells, castanets, shaker eggs, a tone block and more.

The bright colors are engaging for little ones and the analog toys will keep them off screens and engaged in the world around them. Plus it comes with a zip-up carrying bag so that you can easily pack these instruments away when music time is finished.

  • Analog design with wood and metal construction
  • Colorful collection
  • Multiple duplicate instruments mean no fighting over who gets what
  • Limited to percussion and woodwind instruments

Best Wooden Toddler Music Toys Band Set: Wooden Musical Instruments Toys for Toddlers and Kid

The natural wooden instrument set from Chriffer is a great choice if you’re looking to have a little family band jam. It builds fine and gross motor skills, while engaging sensory development and hand-eye coordination. The classic wooden instruments also teach patience, perseverance, and respect for music.

In total, this set comes with 11 instruments and a storage bag for easy clean-up. This set is made from natural wood which is unpainted and lead-free so you can let your little ones play with it without any worries of chipped paint or toxic finishes. Older babies will likely enjoy using these as teethers or rattles too while supervised! More importantly, all of the pieces are handmade and sanded to a smooth finish for added safety.

  • Unpainted all-wood construction
  • Includes woodwind and percussion instruments
  • 11-instrument set
  • Some instruments may not be durable enough for rough toddlers

Best Toddler Music Toys Band Set: CUTE Stone 5 in 1

There’s no shame in admitting that you want to contain the mess associated with play time. This five-in-one piano and drum set from Cute Stone is perfect and also travel friendly. Along with a miniature piano, you’ll get a xylophone, drums, and a microphone. Parents will appreciate the volume switch.

This battery powered toy also features drum beats and music, helping your child to find their rhythm. We like that the piano has four modes, allowing your child to also discover trumpet and guitar sounds. There’s also a numbers and an animal model. And for pure entertainment, there’s a whack-a-mole mode.

  • Compact, travel-friendly design
  • Early introduction to multiple instruments and sounds
  • Also teachers animal sounds and numbers
  • Volume control
  • Drum tips may come off prematurely
  • Only one microphone can be connected at a time

Best Xylophone Musical Instrument for Toddlers: Xylophone for Toddlers and Kids

If you’re just testing the waters, a full kit of instruments might seem like overkill — especially if you’re not sure if your toddler will enjoy playing them. This colorful xylophone from Small Fish is a great introduction to real music instruments for toddlers. It features a wooden base with brightly colored keys ranging from C to C. Each key is clearly marked and perfectly tuned.

We love that the batons feature adorable bears on them that do not pose a choking hazard and sound great when played. Best of all, this pick comes with a harmonica but also sheet music that corresponds with the marked keys. While it can be used by children as young as a year, we think toddlers and preschoolers will enjoy the easily labeled sheet music more.

  • Great starter choice for an instrument
  • Comes with sheet music to help children begin reading music
  • Includes bonus harmonica
  • Included harmonica might not be ideal for younger toddlers

Best Guitar Toy For Toddlers: Donner Soprano Ukulele Beginner Kit

Okay this isn’t as much a “toy guitar” as it is a real Canadian Maple Wood Guitar! This is the exact guitar we got my toddler for her 2nd birthday and she loves it! It comes with everything you need: carrying bag, strap, tuner pick, polishing cloth, extra strings, and picks.

If you follow Montessori at Home, this is going to be the best option on the list for little hands coming in at only 21 inch long. We love it because there’s no “toy noise” and it just a fosters a love of music and learning (parents will thank us for that!).

Ukulele’s are tuned differently than acoustic and electric guitars; As a result some guitar experts say they’re not ideal for beginners who plan to graduate to a full sized guitar in the near future. With that said, as far as toy guitars go, I consider it the best toy guitar for toddlers!

  • Sizing works for toddlers through adults
  • Comes with everything you need
  • Multiple colors: Pink, red, blue, purple, mahogany, or black
  • Wood
  • No batteries
  • Not a “toy” technically
  • May be a large musical toy for young toddlers at first
  • Different tuning than a regular guitar

Best Drum Musical Instrument For Toddlers: Ubblove Drums For Kids

Is there a little drummer in your family? Upgrade them from pots and pans with one of these cute drums from Ubblove. It comes in three styles: bongo, 8 in floor drum, and even a large 10 inch floor drum. Each comes with two kid friendly mallets.

You’ll like that these drums are made from durable wood and that it features rubber feet so that your kids can play it on a table or on the floor. Note though, that the drum head is made from plastic designed to look like sheepskin.

  • Available in multiple sizes
  • Durable design with a wood base and plastic drumhead
  • Rubber feet so that kids can play with it anywhere
  • Redcaps on ends of mallets may come off prematurely

Best Classical Musical Instrument Band Set For Toddlers: First Note the USA

If you follow montessori at home, you know the benefits of introducing real objects tailored to kids. This is why we love the First Note three-piece classical music band set of brass and wind instruments! They are designed to train your children how to play the trumpet, clarinet, and saxophone.

Each instrument features color-coded and numbered keys to help children learn finger placement and remember notes. Keep in mind that these instruments are made from plastic and covered in a silver coating to mimic the look of regular instruments. Likewise, children press the buttons to create sounds rather than a combination of blowing through the mouthpiece and pressing the buttons.

  • A good introduction to proper finger placement for brass and wind instruments
  • Color-coded buttons make remembering easier
  • Comes with 14 songs with liner notes
  • Younger toddlers may struggle to master finger placement

Best Piano For Toddlers: Melissa & Doug Learn-To-Play Toddler Piano With 25 Keys and Color-Coded Songbook

You can’t go wrong with a piano as an early instrument to introduce to your toddler. This cute and vibrantly colored piano from Melissa & Doug features 25 keys and comes with a songbook. You’ll like that the keys are color-coded, making it easier for children to follow along.

This piano is designed for preschool aged children between three to five years old. As is common with Melissa & Doug toys, this piano is also made from sturdy wood and has a classic upright piano design. Another nice feature we like is that you can personalize the piano with your child’s name and choose from a fun multi-color, blue, or pink options!

  • Upright piano design
  • Color coded keys and corresponding songbook
  • Can be customized with your child’s name
  • Music playback isn’t true and may not be ideal for true musical training
  • May not be sturdy enough for children younger than three

Best Keyboard For Toddlers: Fisher-Price Teaching Keys Keyboard

Fisher-Price is a tried and true brand when it comes to toddler toys. The Teaching Keys Keyboard is designed for children as young as three, but is ideal for building key familiarity. This 32-key piano comes with 19 white keys that flashlights to guide little ones for hand placement.

You’ll also get eight musical instrument sounds, eight rhythms, four percussion sounds and 20 demo songs. You can also record music, adjust the tempo and use the one-key-one-note feature to play full tunes by pressing a single note. And parents will appreciate the volume control.

  • Combines education and engagement
  • Encourages fine motor skills
  • Great way to introduce children to different musical styles
  • Smaller size might be too compact for some children

Best Bedtime Music Toys For Toddler: Cocomelon Musical Bedtime JJ Doll

Show us a parent who doesn’t know CoComelon and we’ll be shocked! For little ones that are familiar with JJ, Yo-Yo, and TomTom, this Musical Bedtime JJ doll is a great way to incorporate music into bedtime routines.

The happy toddler toy has a plush body and comes with a mini teddy bear, perfect for toddlers to snuggle up with! And little ones will love that he sings the “Yes, Yes, Bedtime” song when you press his tummy. He also repeats seven sounds and phrases.

  • Soft plush body makes it great for bedtime
  • Plays seven sounds and phrases
  • Includes “Yes, Yes, Bedtime” song
  • May be distracting for some toddlers who want to play instead of sleep

Best Toddler Musical Toy Game: KKONES Music Super Frog Game Toddler Toys

Kkones Music Super Frog Game is a great light-up musical toy. It’s basically a fun twist on whack-a-mole. Features include two mallets, two different game modes, music, and it even lets you toggle between four different languages.

The objective is simple: when a frog lights up, whack it! This is ideal for younger toddlers and even aids in improving hand-eye coordination and attention spans. We like that you can increase the intensity level to make the game harder.

  • Simple gameplay is deal for younger toddlers
  • Aids in hand-eye coordination and improving concentration
  • The game lights up and plays music
  • It says “you failed” when you lose around

Best Music And Dancing Toys For Toddlers: Kidzlane Floor Piano Mat for Kids and Toddlers

If you want a musical toy that will get your kids (and you!) moving, then the Kidzlane Floor Piano Mat is perfect for the whole family. This mat measures six feet long, making it ideal for everyone to get in on the action.

Along with simply playing keyboard notes, this 24-key mat can play back built-in songs as well as eight instrument sounds. And it comes with 10 song cards that feature color-coded sheet music that matches the keys on the mat.

  • Interactive design that encourages full-body movement
  • 10 song cards for music training
  • Ideal for all ages
  • Audio playback can be staticy at times

Best DIY Music Instruments For Toddlers: KiwiCo Music + Rhythm Kit

What better way to foster a love and respect for music than allowing your child to DIY their own music instruments? KiwiCo has made this SO easy with their DIY Music & Rhythm Kit!

Your toddler will love assembling the xylophone and tambourine using the included materials. Plus it comes with a dancing streamer they can decorate too.

This STEAM-focused musical toy will encourage kids to use problem-solving skills to build their instruments. Then they can continue improving their hand-eye coordination and fine motor skills while playing them! This pick is ideal for children ages two through four.

  • STEAM learning by combining music (arts) with engineering principles.
  • Encourages full body immersion with a dancing streamer project
  • Comes with xylophone and tambourine
  • The building portion might be too complex for younger toddlers

Best Toy For Toddlers Who Love Music On The Go: Baby Einstein Toddler Jams Musical Toy

There’s nothing wrong with wanting some tunes to accompany you while you’re on the go! Now parents can stop handing over their phone and let their toddler play DJ with the Baby Einstein Toddler Jams Musical Toy! It’s a great addition to bring on strolls through the park or — if parents can handle it — on car rides.

This simple faux boombox offers three distinct stations along with more than 30 melodies and sounds. Parents will like the volume control while babies will love the colorful lights. Plus the compact size is perfect for little hands.

  • Simple design ideal for younger toddlers
  • Easy to use
  • Compact size makes it travel-friendly
  • Not necessarily an educational toy

Best Baby Sit-To-Stand Learning Walker Toddler Musical Toy: VTech Sit-to-Stand Learning Walker

Getting little ones moving is important, especially if they’ve finally progressed beyond learning to stand. The VTech Sit-to-Stand Learning Walker is designed to encourage little ones to start exploring the world around them on two feet instead of by crawling.

The front panel comes with a mini keyboard featuring five keys. These keys play music and sounds. But you also get interactive light-up buttons, a pretend to play telephone, and volume control for parents.

Toddlers will get a full workout and develop gross motor skills as they push this walker around the house. This toy comes with more than 70 sing-along songs, phrases, music, and sound effects. It also comes in four colors: blue, purple, orange, and pink.

  • Transitions from baby to toddlerhood
  • Improves gross motor skills
  • Volume control
  • Walker is not ideal for babies just starting to walk/pull themselves up as brakes have no resistance and babies can fall

How To Choose A Musical Toy Instrument For Toddlers + Kids:

When it comes to choosing a musical toy instrument for toddlers or young kids, the options are endless! Science has long proven a connection between learning music and enhancing concentration as well as academic outcomes. Consider the following to narrow your selection and find the perfect musical toy for your child!


Check the recommended age range before purchasing.

A toy that’s too difficult could leave your child frustrated and defeated. A toy that’s too easy, could sit on the shelf collecting dust.

Keep in mind, the recommended age range is typically 3+ because of “choking hazards.” Any toy that has a screw or a small piece that could potentially come off typically has that warning/age recommendation as a result.

When choosing a musical toy for my toddler, personally, I look for something that is size appropriate – so her tiny hands can use it effectively, even if it’s not exactly as the musical instrument was intended to be played.


Toddlers can be tough on things — especially toys. And if a child really loves a toy, it ideally will hold up to the wear and tear of toddlerhood! You want to look for toys that are made from sturdy materials.

They should be able to be thrown across a room or fall from a table or chair without falling apart. Make sure that if a product has seams, they’re securely pressed together. Products with hinges should also be reinforced so that they don’t break from frequent use.

As always, even the most quality and durable toys should be checked frequently to ensure they aren’t splintering, cracking, or developing any other issues that could pose a safety concern.

Best Musical Toys for Toddlers

Are you looking for a musical toy that create a true sound to the musical instrument? For instance, do you want the sounds of a toy guitar to sound like a real guitar?

Or are you looking for something that sounds nice while also giving you control over the volume? While this won’t help you if you pick an analog instrument set for your child, volume control can be your best friend for other battery or electric-powered toys!

Engagement vs. Entertainment:

Do you want a toy that teaches or a toy that entertains?

Typically, it’s not recommended to select toys for entertainment purposes. Most parents ultimately want kids to play independently, and the foundation for teaching children how to play independently begins during the first year by selecting toys that foster concentration and engagement; not entertainment.

While light up push button toys may be fun for a few minutes, ultimately they do not provide the same level of skill development and refinement that, not only will help toddlers reach milestones, but also sets them up for a ton of success in the long run (think self esteem).

With that said, there is a time and place for everything. An entertaining push button electronic musical toy that inspires your toddler to dance, sing, and move around is still engaging them! It’s really about choosing whatever makes the most sense for you and your budget.

If you’re focused on either teaching your child to play an instrument ultimately though, you’ll want to choose toy musical instruments with color coded keys and sheet music.

Developmental Milestones/Skill:

Also consider your child’s dexterity. Toys that require fine motor skills such as precise finger movements might be a struggle for younger toddlers that are still trying to master those behaviors.

But along the same lines, musical toys should help to engage those motor skills or developmental milestones such as sounding out letters and words, or recognizing colors and shapes.

Best Toddler Musical Toy Instruments

FAQS About Toddler Musical Toys:

What benefits do musical toys have for toddlers?

Research has shown that musical toys — especially percussion instruments — can improve overall development. Musical toys can serve as an early language development tool for toddlers. Toys that incorporate songs can encourage recall and boost vocabulary. And in terms of physical benefits, musical toys can improve a child’s fine motor skills and aid in building coordination.

Are musical instruments safe for toddlers?

As long as you pick an age-appropriate toy for your toddler that doesn’t pose a safety risk, yes musical instruments are safe.

How early should I introduce musical instruments to my child?

You can begin introducing musical instruments as soon as your child is born if you wish. Don’t forget that your voice is also an instrument! Of course, they won’t have much interaction with physical instruments in the beginning, but if you keep them around your child to model using and taking care of them, your child will likely follow suit.

How can music provide structure in a child’s day?

Music is a great way to mark the passage of time and create predictable routines.

For example, playing a specific song when it’s nap time or time to clean up the playroom are great ways to incorporate music into a daily routine while regulating your child emotionally and mentally about what to expect next.

For the best results, you should use the same song for specific events to help build familiarity and develop a consistent routine.

What are ways I can encourage a love of music for my toddler?

There are plenty of ways to make music a lifelong love for your toddler. The simplest method is to frequently have music playing. Or, sing songs and dance with your child. Introduce them to a lot of different types and styles of music, and give them choices frequently about the music you’ll listen to or sing!

And of course, giving them musical instruments and musical toys that toddlers can play independently with or you can play with them, will help encourage a love of music.

Final Thoughts:

Finding the best toddler musical toy doesn’t have to be hard. At the end of the day, it’s just about finding musical instruments that meets your toddlers development and don’t give you a headache or break the bank!

Our personal favorite is the starter percussion band set from iBaseToy. It gives you a ton of musical instruments that work for 1 year olds, 2 year olds, 4 year olds and beyond the preschool stage! It’s loads of fun for the entire family to have band practice at home!

We are also quite partial to the Kidzlane Floor Piano Mat as it’s a nice gross motor activity that encourages a love of music and movement. Perfect to burn off that toddler energy indoors on a rainy day!

And of course, what child doesn’t love Cocomelon?! The Cocomelon Musical Bedtime JJ Doll is sure to be an absolute hit with most toddlers!


REVIEWS – Totakeke: eLekatota – The Other Side Of The Tracks

Connexion Bizarre –

Frank Mokros is perhaps better known in Rhythmic Noise and Industrial music circles for his releases as Synth-Etik. Perhaps less-known is his Totakeke persona, under whose name an EP and a full-length were released years ago on the now seemingly defunct Frozen Empire Media record label, both of which received rather positive critical attention.
“eLekatota” is an excellent and very interesting show of talent and accomplished musicianship, expertly incorporating elements from a wide spectrum of electronic music genres from rather obvious IDM up to more dance-oriented music. Upon listening to it, one is certainly bound to appreciate the seamless aural journey that Frank Mokros constructed, a journey full of rich detail and subtle nuances which reveal themselves progressively with each listening session. Despite an intentional chaotic beginning with the first couple of tracks, “eLekatota” quickly progresses to more accessible and pleasant soundscapes where complex rhythms, melodic arrangements and minute sampling are skilfully layered coalesce into a string of constantly evolving cinematic compositions. There is a sense that nothing here was left to chance and that despite the electronic nature of the music, cold and seemingly chaotic at times – as befits what is frequently referred as Intelligent Dance Music – Totakeke’s compositions feel rather human and have a definite warmth to them, a warmth and constancy that is in stark contrast with the seeming random rhythmic patterns of some compositions. While individual tracks are memorable on their own – some standing out depending on the listener’s inclinations – this album is best appreciated as a whole entity, with uninterrupted attention from beginning to end. Interestingly, “eLekatota” also appears to come full circle on itself.
Extremely cinematic, “eLekatota” is one of those albums that demands (and deserves) the listener’s undivided time and attention to be fully appreciated. It is certainly an excellent listening choice for those occasions in which one finds time to not do anything else but sit down, relax, appreciate a very good record (and perhaps a good wine too) and forget about life’s worries. — Miguel de Sousa [8.5/10]

Side-Line Magazine –

The 2nd album of Frank Mokros (Synth-Etik) under the Totakeke-moniker is an absolute, fabulous production! This artist here realizes a real masterpiece in progressive industrial music. Totakeke goes much further than simply industrial music, but assembled a multitude of ideas resulting in a fascinating and brilliant entity. “Elekatota” sounds very electronic minded, but with a wide spectrum of electronic input. There’s a sort of symbiosis between dark ambient electro constructions, industrial atmospheres, a few trance vibes and minimal techno elements. On top you’ll find some cool spoken samplings. The sound and arrangements are quite complex, but remains compact. It all sounds like F. Mokros didn’t spare any effort in the sound research while he also took care for an impressive final production in sound. “Elekatota” features 13 tracks, but it will take me too long to mention all the attention grabbers. The entire album is a class act. I’ll just mention a few ones starting with “Pull The Plug”, which is a pure sensation in electronic sound sculptures and samplings. A next great piece is the more minimal-techno-ish “Millenia”. It’s a complex song with some techno arrangements on top, but built on a solid basis of dark atmospheres, decomposed sounds and cool samplings. On “Strangle” the composer shows ones more his genius in elaborated industrial music with attitude and an amazing production! A last cut I want to mention is “Elekatota Two” for its great sequences reminding to a kind of mix between Clock DVA and The Klinik. I personally prefer the sound of this project more than Synth-Etik and I’m convinced that this album has a real strong potential to become a reference in the current industrial scene! An impressive album!

SIDE-LINE Checkline reviews:5 editors have checked out the 3rd album by the rhythmic noise, industrial artist Totakeke. “Elekatota: The Other Side Of The Tracks”, released on the growing Tympanik Audio label obviously seems to have enchanted our editorial staff. Here is our verdicts:  

1. Totakeke’s blend of atmospheric EBM comes equipped with the essential post-industrial/dark electronic influences. Orchestral synths glide under busy non conventional beats. The tracks move, fade, reprise and work itself along in dramatic fashion. An unconventional genre, pushing forward electronics. This is 21st century stuff! (NOA:8)NOA 

2. The music (or rather soundtracks) featured on this album from Totakeke is a blend of different elements: there are some more ambient electronic stuff mixed with bleeping synths and break beats, multi-layered sequences and heavily processed samples and loops. You fell there is a lot of work under those long tracks some of them binging hypnotic and dark atmospheres (like on the spelling “Gift Of Nervous Methods”) others bringing more rhythmic stuff (with some noise as well here and there). If you like soundtracks and or cinematic kind of electronic (with rather complex programming and sound design) you can grab this one.(CF:7)CF. 

3. Written, recorded and produced between January 2005 – November 2007, Totakeke brings a very versatile mix of soundscapes, click and cut, ambient electronics and industrial. Not extraordinary you’d say, but the mix here is very much personal avoiding the clichés which are all too much there in the industrial scene. Let’s hope that besides Totakeke some more artists will see the light shining in order to update their approach of industrial sounds. A messiah for the industrial scene? Could be, we’ll see…(BVI:8)BVI.

4. Even if this project releases here his second album, it is the first time that I listen to this group from New York. Even if the press info proudly announced it, we don’t only find industrial music in this record but an innovative compilation of instrumental music: from ambient to idm with some injections of industrial and sometimes some noisy influences. I thus appreciated this will to play with genres while keeping a good coherence.(CX:7)CX. 

5. Frank Mokros (Synth-Etik) aka Totakeke is a genius musician who really reinvent electronic ambient music. The influences of Totakeke are moving from electro-ambient to industrial to some distant trance forms, but the way it has been worked out and composed is always progressive and innovative. The songs are well-crafted and elaborated while delivering certain complexity as well. Totakeke here delivers an album, which according to me sounds like a milestone in the underground scene! This is a production for all electro-ambient gourmets! (DP:9)DP.

Igloo Mag –
Elekatota is the sophomore album from Frank Mokros who is also known as the New York based producer who has made several releases on the highly regarded German industrial noise label Hands Productions under the name Synth-etik. As Totakeke however, Mokros takes his music in a different direction, merging a range of different electronic music genres to create a hybrid that still hints at his noisier industrial roots with Synth-etik. Elekatota is an interesting concept with conflicting personalities; on one hand it is smooth, warm and fluid yet on the other it is dark, brooding and probably a little disturbed. It is almost as though Mokros has decided to break away from the Synth-etik mindset but his industrial sensibilities don’t want to let him go that easily. It is like a battle between light and dark; as rich rhythms shuffle, pound and energetically jump around, lurking in the background are darker intentions in the form of crackling distortion, creepy samples and hard industrial rhythms. However, what could quite easily end up as a disjointed collision of mismatched styles actually results in something quite original; Makros has drawn from genres such as techno, industrial, noise and dark ambient to create a fairly well-balanced hybrid that, although it often falls more on the harder rhythmic side of things, actually takes in all the genres at different points throughout the album. “Millenia” for example is a driving industrial monster loaded with bassy beats that is followed by the steady rounded rhythms and dark disturbing ambience of “Gift of Nervous Methods” that in turn morphs into huge stabbing beats. “Strangle”, despite its title, lightens the mood somewhat with euphoric technoid rhythms that lead into the crazy experimental abstraction of “Fragile Thoughts”. In the space of just four tracks, Mokros has covered industrial, techno, dark ambient and experimental electronic genres, sometimes within the scope of a single track. Surprisingly though, the transitions appear quite natural, producing a widely varied and every changing sonic soundscape of moods, textures, rhythms and atmospheres. Perhaps the best way to illustrate the range of Elekatota is to compare two stylistically diverse tracks; “Carrier Signal” is a fairly subdued yet fidgety ambient techno track with underlying industrial themes and a hint of glitchy experimentation while “Show Me the Faith” is loaded with massive bassy breaks, deranged melodies and hi-tech bloops with a hint of distortion. Mokros produces an interesting album that takes in a diverse selection of genres and styles, often within short spaces of time. The constant switches in tempo, style and mood may be distracting to some but the concept and execution and still pretty well conceived. Tympanik Audio again produces an interesting album; after appearing apparently out of the blue this Chicago-based label is already gaining the attention of the media as their busy release schedule rolls on.

Re:Gen Magazine –
Continuing down the path set by his first album, Totakeke’s Frank Mokros yet again intrigues with a complex array of intricate beats and synthesized ambience.While it has been some time since Totakeke’s last album, the complex arrangement of intricate beat structures and ambient industrial atmospheres presented on eLekatota: The Other Side of the Tracks proves that Frank Mokros hasn’t fallen into the trap of stagnation. Granted, there’s not much deviation from what Mokros had achieved on his debut, At the Train Station on a Saturday Evening, but his formula presents an assorted enough mixture of sounds that it remains fresh in the mind of the listener as each track progresses. As the tracks on eLekatota all transition into each other rather smoothly, picking out individual pieces of music can be difficult, though it does display a sonic stream of consciousness with the right amount of musical peaks and valleys to keep it from sounding monotone. Several tracks do stand out though, such as “Millenia” with its subsonic bass pulses amid reverberating scrapes of metallic breakbeats. Some deceptively simple layers of synthesized arpeggios create eerie waves of audio tension as samples of Lance Henriksen from the debut episode of Chris Carter’s Millennium from the late ’90s add to the morose ambience. Also notable are the epic constructions of the almost 11-minute-long “Gift of Nervous Methods” in which manipulated voices sampled from various films – in lieu of lyrics – echo beneath the sonic surface to create a cavernous atmosphere as gyrating synth plucks and percussive layers that continuously hint at drum & bass, though without breaking into frenzy. Much of the album follows along these pathways, and while the tracks certainly don’t sound identical to each other in structure or melody, there is a thematic flow to the album that, though enticing and adding to Totakeke’s sense of consistency and complexity, also could impair one’s ability to listen to the record from beginning to end in one sitting. Still, eLekatota: The Other Side of the Tracks deserves much credit for its elaborate production and composition without being oppressively complex to the point that it becomes too daunting a task to listen. 3.5/5

Headphone Commute –

Tympanik Audio, a Chicago based label, catches me a bit off guard with their first 2008 release from a New York producer, Frank Mokros, aka Totakeke. A dark, yet in places soft and sad downtempo album of intelligent rhythmic industrial, that smoothly flows from one track to the next with gloomy ambient pads and percussive, minimal, arpeggio-heavy synth lines. Mokros has previously appeared on a 2001 split with Radial on Ad Noiseam under his Ativ moniker. He also dropped numerous releases as Synth-Etik pumping more rhythmic noise for the German based Hands Productions. His most recent contribution includes a track for Tympanik Audio’s first entry into the music biz with a well put together Emerging Organisms compilation, sprinkled with many great artists, like Architect, Hecq, Displacer, Ab Ovo and Phylum Sinter across two disks. For the likes of before mentioned artists (so grab the comp if you can). Favorite tracks: Carrier Signal, Gift Of Nervous Methods, and Fragile Thoughts.

Der Medienkonverter –

Totakeke ist das Alter Ego des New Yorkers Frank Mokros, der sich neben Ativ vor allem mit seinem Projekt Synth-Etik einen Namen gemacht hat. Während letzteres eher für seinen heftigeren Ton bekannt ist, nutzt Frank Mokros Totakeke dazu, etwas Neues auszuprobieren und neue Wege zu gehen. Dazu verbindet er allerlei Spielarten der elektronischen Musik zu einem musikalischen Wechselbalg. Seine Songs scheinen zu leben, entwickeln und bewegen sich von Minute zu Minute und verändern ihr Angesicht. So auch auf seinem neuen Album “eLekatota: The Other Side Of The Tracks”.Eben noch atmosphärischer Ambient und dann plötzlich technolastiges Gewummer. Hinzu kommen synthetische Streicher, Sprachsamples (wenn auch selten) und sogar Gitarrenpassagen. Dem Hörer fällt es schwer, in diesem sich ständig verändernden Strudel der Musik den Überblick zu behalten. Die Orientierung wird zusätzlich noch dadurch erschwert, dass die Tracks nahtlos ineinander übergehen. Was Totakeke aber schafft, ist eine durchgehende Stimmung über alle Songs, die man am ehesten als enthusiastische Melancholie bezeichnen könnte. Dieser rote Faden ist umso verwunderlicher, wenn man hört, das “eLekatota” in einem Zeitraum von knapp zwei Jahren entstanden ist.Von diesem Album muss man sich tragen lassen, sonst könnte es schwierig werden, es wirklich zu genießen. Das schöne daran ist, das dieses Album schwerlich langweilig werden kann, was andererseits aber auch verhindert, dass “eLekatota” sich im Gedächtnis verankert. Diese Reise muss man sozusagen fast immer wieder von neuem antreten.

English Translation:Totakeke is the alter ego of Frank Mokros from New York who has made his name know most of all, with his project Synth-Etik. Where his last project was more known for the strong tones, Frank Mokros now uses Totakeke to try something new as well as go some new ways. He now makes use all of the varieties in electronic music and combines those to create a completely new change in his sound . His Songs seems to have a life to them, they evolve and move from minute to minute and constantly change which you will also hear in his new album eLekatota, :The Other Side of the Tracks. First of atmospheric ambient essence and then from nowhere techno sounds. Add some synthetic Violins and voiceovers (which are rare) as well as guitar passages. The listener can find it hard to keep up with the constant changes in the music. The orientation even becomes harder with tracks that flow from one to the other without a definite break.

What Toakeke does accomplish, is a constant specific mood throughout all the songs, that one could best describe as enthusiastic melancholy. This red flag is even more surprising when you hear that “eLekatota” was created over a time period of almost two years. From this album you must be carful otherwise it could be hard to really enjoy it. The nice thing about it is, that this album really does not get boring. Yet it also means that “eLekatota” does not anchor itself with you. The trip has to be taking always from the start and anew. (Translated by Nicki Fahey)

Vibe Magazine

-Frank Mokros alias Totakeke aus New York liefert 13 Kapitel an der Schnittstelle von Industrial, Electronica und IDM. “Millenia” schmückt hervorragend stillgelegte Fabrikhallen mit industrieller Kulisse – Tanzbelange kommen dabei nicht zu kurz. Melancholisch zieht das düster konzipierte “Gift Of Nervous Methods” seine Kreise. Ohne große Umwege setzt
“Immolate” beim klassischen IDM an. Subtiles, aus verschiedenen Stilelementen zusammengesetztes Album mit hohem Reifegrad – demnach mehr etwas für den Kopf. Experimenten wurde genügend Platz eingeräumt. (4+/5 – Sven Hanke)

Elektrauma –

73 Minuten, die an einem nicht so leicht und spurlos vorbeigehen: Das ist das neue Album von Totakeke, Nummer zwei mittlerweile in der Bandgeschichte. Hinter diesem Projekt steckt der New Yorker Frank Mokros, der unter anderem durch Synth-Etik bekannt geworden ist. Als Totakeke macht der Friemelmeister hier einen besonders interessanten Spagat. Einerseits verbindet er sehr vertrackte Rhythmen mit schwebenden Synthieparts („Carrier Signal” ist da vielleicht das genialste Stück, der zeigt, was man aus Drumprogrammings alles machen kann), andererseits merkt man dem Musiker auch seine Liebe für EBM-Strukturen, das gleich im darauffolgenden Song „Pull The Plug” deutlich zu hören ist. Vor allem die Bassläufe verraten ihn. Das Besondere an „eLekatota” ist vielleicht die Leichtigkeit, mit der die im Non-Stop-Verfahren zusammengeklebten Songs zum Hörer gelangen. Da ist zwar auch sehr viel Anspruch mit dabei, aber das ganze kommt einem nicht so schwer vor. Erst gegen Ende ist man eigentlich geplättet, weil man erst im Nachhinein merkt, was für ein kompliziertes und vielschichtiges Werk Totakeke hier abgeliefert hat. Und so bleibt eigentlich einem nichts anderes übrig, als auf Repeat zu drücken und noch mal 73 Minuten seines Lebens für das Album investieren muss, um es wieder etwas zu verstehen. Ganz großes Tennis!

Aliens E-Zine –

In the past this man has bring great releases at Frozen Empire media and this time his new album presenting on great label Tympanik audio. New album is like a next block, that was already present on his old releases. Instrumental electro, that balances between idm and electro is in this case on great level. Strong beats, melodic sounds and beautiful atmospheres. Many excellent tracks from which I must mention: Pull the plug in which doesn’t miss creativity and to listener will be interesting unique changes of rhythm and moods. Real piece in this release, but the other songs won’t left unnoticed too. By the end ideas are repeating a little, but as a whole this cd sounds great and for Tympanik it means good choice in todays competition of musicians. Excellent album. Electronic complex of melodies and broken rhythms… 4/5Vminulosti tento pán zahviezdil skvelými vydaniami u Frozen Empire media a tentokrát svoj nový počin prezentuje na skvelej značke Tympanik audio. Nový album je akoby ďalší blok, ktorý už tento nadšenec načtrol vo svojich predošlých vydaniach. Inštrumentálna elektronika, ktorá balancuje medzi idm a elektro je v tomto prípade podaná na vysokej úrovni. Trieštivé beaty, melodické zvuky a krásne atmosféry. Plno vynikajúcich songov, zktorých musím spomenúť: Pull the plug ,v ktorej sa kreativitou nešetrilo a poslucháča budú baviť jednotné zmeny rytmov a nálad. Pravý kus v tomto vydaní, ale ani ostatné parádičky nezostanú nepovšimnuté. Ku koncu sa nápady trošku opakujú, ale ako celok znie toto cd dosť vyzbrojene a pre Tympanik znamená dobrú voľbu v dnešnej konkurencii hudobníkov. Podarený album. Elektronický komplex melódií a lamaných rytmov…

Gothtronic –

Totakeke is a new project from Frank Mokros, who’s perhaps more known from the industrial noise outfit Synth-etik which releases albums via the Hands label. Totakeke however is musically something different, as while there are still influences of rhythmic industrial, this second album from Totakeke also features ambient and idm influences. As such this is a nice combination that really works wonderful with acts such as Detritus or Mnemonic, yet with Totakeke the set-up is being disturbed by the enormous amount of stylistic changes, tempo changes and atmospheric changes in the tracks. Also the tracks itself last too long sometimes, such as is perfectly illustrated by ‘Gift of Nervous Methods’. This makes it hard to listen to the album in it’s entirety. This also happens with Synth-etik but the music is so loud that it is not that disturbing there, with Totakeke however it doesn’t work, although the acid part in ‘Ignorance’ is a nice idea indeed. The best tracks are the drum ‘n bass / ambient idm minded ‘Carrier Signal’ and ‘Millenia’ which has a strong rhythmic industrial and techno influence. –

Eine gelungene Symbiose – Fein!Seit einigen Jahren tummeln sich auf dem neumodischen Industrialsektor bzw. im Dark Techno Genre unzählige anspruchslose Projekte, die in meinen Augen nur Langeweile hervorrufen. Im Gegensatz dazu steht das neue Opus von Totakeke, welches Frank Mokros inziniert, der sich auch für die Arbeiten von Synth-etik verantwortlich zeigt. Der in New York ansässige Produzent eröffnet der geneigten Hörerschaft bzw. “Tänzerschaft” auf seinem zweiten Album “eLekatota” einen spannenden Mix aus Techno (Rave), TripHop, Drum And Bass, Industrial (New School), Ambient (kein Dark Ambient) und elektronischen Spielereien, der auf der einen Seiten zum Chillen einlädt, aber auch “Tanzflächenmagnete” transportiert. Das inhaltliche Konzept hinter “eLekatota” lebt nah am Puls der Zeit. Sie bekommen hier keine Aufarbeitung von zwischenmenschlichen Problemen oder sexuellen Vorlieben geboten, sondern Ausführungen über die Gesellschaft bzw. ihre Problematiken. Alle Tondokumente gleichen emotionalen “Kraftpaketen”, im Besonderen die Stücke ‘Ignorance’, ‘Power Of Ideas’ und ‘Show Me The Faith’. Alleine aus dieser Sicht ein Kleinod, welches viel Aufmerksamkeit verdient hat.In den überwiegenden Fällen ereilen uns im Dark Techno bzw. Dark Electro Releases, die vor musikalischer Einfallslosigkeit nur so triefen bzw. wimmeln – getreu dem Motto “Stumpf ist Trumpf!”. Frank Mokros zaubert auf “eLekatota” eine abwechslungsreiche Melange, die sich schnell in den Gehörgängen festsetzt. Das aktuelle Totakeke Werk glänzt durch vielschichtige Atmosphären und eine große Auswahl von Beatstrukturen, die gemeinsam sehr einprägsame Momente bescheren. Die verwendeten Sprachsamples (sehr dunkel und verzerrt) fallen nicht wirklich ins Gewicht und dienen ausschließlich zur Akzentuierung. Wer meine Rezensionen im kennt, weis, dass meine Person diesem neumodischen Kram nicht wirklich Aufmerksamkeit widmet. Hingegen “eLekatota” macht in irgendeiner Art und Weise süchtig. Der Tonakrobat verführt mit hypnotisch anmutenden Takten, die zur Entspannung von der hektischen Zeit nur so einladen. Wenn Skinny Puppy oder Frontline Assembly nach ihren besten “Jahren” diesen Weg eingeschlagen hätten, wäre meine Wenigkeit vollends zufrieden gewesen, aber im Gegensatz den vorher genannten Szenegrößen, die nur noch lieblose Massenware auf den Markt schmeißen (äh werfen), vollzieht Frank Mokros sehr genial den Schritt zwischen Old-School Elektronik (EBM, Industrial usw.) und dem aus dem Techno bzw. Rave stammenden New School. Die geschlossene Symbiose dürfte jüngere wie ältere Hörerkreise anziehen, die sich für elektronische Musik interessieren.

Frank Mokros beweißt auf “eLekatota” sehr viel kompositorisches Feingefühl, wodurch in keinem Moment Langeweile aufkommt, sondern echte Begeisterungsstürme, die auch nach dem x-ten Hördurchlauf nicht abflachen wollen.

Diejenigen unter Ihnen/ Euch, die sich bisher solchen Opera verweigerten, aber großes Interesse gegenüber dem elektronischen Crossover hegen, müssen mal eine längere Hörprobe nehmen und abschließend ihre Kaufentscheidung fällen. In meinen Augen bzw. Ohren richtig feiner “Kram”, den uns Frank Mokros auf “eLekatota” offeriert bzw. präsentiert. Ein schönes Wechselspiel zwischen Tanzbarkeit und Entspannung für die Lounge. Ohne Frage ein Highlight in Zeiten von nervigen bzw. banalen modernen Industrialveröffentlichungen, die in keiner Sekunde an “eLekatota” heranreichen können. Für Personen, die über den elektronischen Tellerrand hinüberblicken, besteht absolute Kaufpflicht.

Enochian Apocalypse

-I have been a massive fan of Totakeke from the word go, lets get that straight. This has been a highly anticipated release for me. I always preferred this project rather than his main source of accomplishment ‘Synth-etik’ routed to us via the Hands label.In a word ‘Elektatote – The Other Side of the Tracks’ is fabulous. Frank Mokros has a huge grasp of spatial awareness and always likes to situate the listener in a specific time and place. His first effort ‘At the Train Station on a Saturday Evening’ captured the very essence of those summer evenings where the air is still and the sun is low, a scene we don’t see often in today’s torrid climate with our truly miserable weather. It was pure escapism at its best. Elektatote had a lot to live up to basically.I am pleased to say that he has hit the nail bang on the head. Again. This is the perfect follow up to the debut, the journey itself to your destination after boarding the train. Thirteen tracks that seamlessly move and aid you along in your mind set whilst you take in the environment around you. The subtle folding glitches and electronics with flushes of orchestral movements and rich deep pads are strung together with a range of thumping and skittish beats. Technically it should fall apart and is always on the verge of doing so. It’s this paranoid formulation that gives it the edge above many of its contemporaries.The train has driven to halt, the doors have opened, step onto the platform and make your next move. Totakeke is there as your never ending companion.
9.5/10 – Tony Young

Braincorp –

Frank Mokros a.k.a Totakeke is probably more known for his project called Synth-Etik that has released a few CDs on the famous German label Hands Productions. Elekatota is Totateke’s second album, the first one being on the quite new label Tympanik Audio which are going to release some remarkable CDs this spring.
I remember when the first album came out from Totakeke in 2005 called “At The Train Station On A Saturday Evening”. It was a good album, but not as good as “Elekatota” where the sound have developed a lot. From just being an ordinary IDM project, Totakeke have managed to create a sound that goes much further.
“Elekakota” starts with the typical IDM tracks with a bit of breakcore influences. Already on the 3rd track “Pull The Plug” we get a pure electro tune and the album continues with a lot of great tracks like “Millenia”, “Strangle”, “Elekatota Two” – some of the songs are even club friendly.
Totakeke have created a great album with a lot of variation with both IDM and Electro tracks. Some of the Electro songs resemble some of the latest material from the English band Portion Control. Elekakota is one if the best IDM/Electro albums I have heard in a long time. Highly recommended.

Darkroom –

Produttore e musicista newyorkese, Frank Mokros con “eLekatota” ha costruito con grande gusto e tecnica strumentale un album di livello concettualmente altissimo. Arruolato il linea definitiva dalla label Tympanik Audio, dopo la recente presenza con il brano “Emerging Organism” all’interno di una compilation della stessa label americana, con questo secondo album Totakeke conferma i pareri positivi raccolti con “Lament” e con “At The Train Station On A Saturday Evening”, usciti rispettivamente nel 2003 e nel 2004 per la Frozen Empire Media. Già abbiamo speso parole d’elogio per questa nuova etichetta, attiva solo dalla seconda metà del 2007 ma già con un roster di artisti di ottimo livello, che crescono sotto la luce dell’elettronica sì estrema, ma progettualmente innovativa. “eLekatota”, pur essendo collocabile nell’IDM, ha però talmente tante sfaccettature che respira di suoni globali, complicate trame di synth le quali per tutta la durata del disco obbligano chi ascolta a distruggere regole, sintassi acustiche, per creare nuovi universi musicali, nuove concettose attese. Elettronica fredda e distaccata, non per essere solamente ballata (forse l’unico episodio vero per dancefloor è “eLekatota Two”), ma per portare la mente verso mondi che possono esistere, che l’inverosimile è forse dietro una porta non così lontana. Totakeke fa di questo disco una sorta di ‘stargate’: entrare nella porta significa assistere alla nascita di un nuovo mondo, macchine e strumenti digitali, computer che creano regole esistenziali, nuove imperturbabili leggi tutte da scrivere. “eLekatota One” e “Carrier Signal” sono la prima parte di questa new age algida: la musica esplode in complicati assiomi numerici, codici binari che si trasformano in un caos sonoro, perfetto, autodeterminato a generarsi e generare. Senza stacco tra le tracce, tutte perfettamente mixate ed amalgamate, il viaggio verso il mondo perfetto di Totakeke continua asettico e strumentale; l’unico episodio in cui una voce inumana presenzia è “Millenia”, appositamente incomunicante, fino all’eleganza stilistica di “Strangle”, glaciale e sfavillante come un cristallo. Le geometrie e i suoni si equilibrano, trovano le loro perfezioni stilistiche, e la conclusione del disco inneggia alla stabilità trovata e voluta. “The Other Side Of The Tracks” è la felice conclusione: synth e sampler esplodono in ansiose iperboli musicali, la macchina prevale sull’uomo, l’estetica sul sentimento, la ragione è sconfitta, la luce che ne esce è artificiosa, riflessa da poliedri, prevale il bianco accecante, i diamanti sui rubini, il neon sul sole. Un altro passo avanti nella musica elettronica da ascolto e riflessione, che Mokros ha cesellato in 73 minuti studiati con professionalità e competenza: i nostri complimenti alla Tympanik per credere in progetti difficili e qualitativamente raffinati. (8) – Nicola Tenani

Cyclic Defrost –

It’s been a good four years since New York-based electronic producer Frank Mokros released his debut album as Totakeke ‘At The Train Station On A Saturday Evening’ on Frozen Empire Media, but in the meantime he’s certainly been somewhat occupied with his alter ego Synth-Etik, culminating in the release of his ‘Phantom’ album under that moniker last year through German label Hands Productions. Following on the heels of recent remixes for Terrorfakt and Klangstabil, this second album ‘Elekatota’ on Chicago-based label Typanik Audio sees Mokros continuing to successfully blend seemingly disparate elements of industrial, techno, breakcore and dark ambient IDM into one cohesive whole that he himself terms ‘complex rhythmic industrial.’ It’s certainly something of an expansive offering too, running in at 13 tracks over a bulging 73 minutes. While many other similar producers would struggle however to successfully fill such a broad canvas, Mokros’ divergent explorations manage to stay consistently intriguing and inspired. Opening track ‘Elekatota One’ slowly guides proceedings in with slow fractured IDM rhythms crackling their way beneath a foreboding backdrop of phased droning textures and manic 8-bit synths that betray more than a hint of rave lurking below the surface, shortly before ‘Carrier Signal’ flexes some additional rhythmic muscle, sending volleys of breakcore dnb rhythms sliding out across a forlorn backing of ambient synth pads in an offering that beautifully maintains its overriding calm in the eye of the storm. Elsewhere, ‘Ignorance’ sees techno kickdrums rising as a steady pulse beneath dark ambient pads and tearing chunks of digitally processed noise, in a moment that sees ghostly acid 303s making an appearance towards the very end, before the spellbinding ‘Power Of Ideas’ stretches head-scrambling bursts of Squarepusher-esque drill and bass amidst a vast backdrop of wavering pads, only for things to fuse tightly back around a crisp techno kickdrum pulse and bursts of acid squelch as things power relentlessly to their conclusion. Fans of dark, industrially-tinged electronics along the lines of the Ad Noiseam and Ant-Zen labels should definitely investigate ‘Elekatota.’

Wounds Of The Earth – Totakeke is apparently a side-project of a guy who’s got “main” projects that I’ve never heard of. Anyway, this album has been dubbed “intelligent rhythmic industrial” by the label Tympanik Audio. In most cases I would be able to go into a rant about how false that description is; however much to my surprise and excitement, eLekatota actually lives up.

Packaging: 2/10
The packaging on eLekatota is pretty run of the mill boring and generic. My 13 bucks got me a nice 2 page booklet with really blurry and overly dark pictures and the standard “thanks” text.

Composition: 9/10
Luckily, the music on eLekatota completely makes up for the shoddy half-assed packaging. This was my first experience with Totakeke and as per usual, I had pretty low expectations, but I can say with complete honesty that this album blew me away. The album starts off a bit slow, with the first two tracks not really grabbing my attention but not exactly being bad either. But the album really kicks into high gear on track three, “Pull The Plug”, which is probably my favorite piece of the album. Totakeke is a master of abstract rhythm and melodies, and eLekatota is definitely worthy of the adjectives “rhythmic” and “intelligent”. The album is absolutely chock full of multi-layered beats weaving in, out, between and through myriad synthetic melodies and harmonies. The only thing that I can compare this album to is perhaps a more chilled out and electro Pneumatic Detach. While the album is indeed heavily rhythmic, it is definitely not a club album and there are very few of what I would call ‘hard, driving rhythms’. This is an infinitely more cerebral (bedroom) album than most other rhythmic noise. The album moves slowly and takes it time slowly but surely building a complex web of drums, noises, atmospheres and subtle melodies. There are also many vocal samples which sound half terrifying, but the words being spoken are usually pretty intense if you take the time to listen to that which is being said. Many of the tracks incorporate similar sounding elements, but by no means do the tracks sound the same. It seems to be that they all work in their individual ways to be a piece of a greater whole which is eLekatota. Quick summary: tons of stuff going on and tons of changes within the tracks. No boredom to be found here. If I had to provide a visual description I would say this is an upbeat soundtrack to a dystopic future city with lots of glass buildings and robots.

Production: 10/10
The production on eLekatota is damn near flawless. This is probably the first thing that hit me in the face upon putting this album on initially. The production is huge and thick, everything sounds fucking amazing and deep. The bass is super thick and phat and the beats never cease to kick. Every drum hit is placed perfectly, as is every individual noise and chunk of atmosphere. The melodies are great and perfectly placed in the mix, and the samples are always perfectly audible. It’s a bit strange to hear an album like this that uses so little distortion and contains so little noise. Some really top notch mixing and mastering.

Artistic Merit: 8/10
There is definitely much artistic merit to this album. I can say without a doubt that there is no other album out there that sounds very much like this. Although it contains semblances of electro and industrial and ambient…it is none of these, and yet perhaps equally all of them. It’s very difficult to describe this album with genres and standard adjectives. I think in many ways it clearly stands out from its contemporaries and although it’s difficult to say if this is a timeless album, it is definitely something that anyone who is into abstract electronic music should spend a few minutes checking out (and most likely those few minutes will mutate into many many more).

Flow: 9/10
eLekatota definitely contains a very fluid forward motion to it. The tracks sound similar enough that they can been seen as smaller pieces of a greater puzzle; a puzzle of a singular vision which the entire album works together to achieve. The tracks mesh well with one another and listening to the album from beginning to end is not a difficult feat to achieve. The drum beats and synths in many songs have similar sounds, but this is not to imply they sound the same. They are similar enough only to further the vision, and this keeps the album cohesive without being monotonous.

Overall Rating: 9/10
Overall, eLekatota is a pretty fucking stellar piece of work, and a huge progression from the previous Totakeke album. Anyone who is looking for something heavily rhythmic that won’t bore you to death with repetition should absolutely spend some time with this album. You will not be disappointed. I know I wasn’t; I still can’t put the album back on the shelf. -dan barrett 07-06-08.


Midnight Machinery playlist 06.05.08

Endif‘s new track ‘Reactionary’ (from his upcoming album ‘Carbon‘) and Totakeke receive airplay on Braincorp‘s Midnight Machinery internet radio 06.05.08.


REVIEWS – Ad·ver·sary: Bone Music

Ad.ver.sary: Bone Music

RE:Gen Magazine

Ambient textures perturbed by pounding crackles and drumbeats, Ad·ver·sary’s music is an experience of simultaneous ferocity and tranquility.

Canada’s Ad·ver·sary may not be too well-known in the States, though from the sound of Bone Music, he is poised to join in the ranks of such experimental industrial artists as Antigen Shift or Iszoloscope. As the brainchild of Jairus Khan, Ad·ver·sary’s music combines the distorted beats of power noise with melodic arrangements and experimental sound design, creating a shimmering mix of tranquility and ferocity. Originally conceived under the title of International Dark Skies, Bone Music has been three years in the making, finally finding its home on Tympanik Audio in conjunction with Glitch Mode Recordings, featuring new tracks and remixes to make Ad·ver·sary’s debut all the more intriguing.

One need only listen to “Friends of Father” for proof of this artist’s skill; with an ambient piano loop reminiscent of Boyd Rice’s NON, and leading into a dark cavern of pounding beats and minor-chord drones, this track simultaneously lulls and agitates, preparing the listener for the veritable cacophony of styles and atmospheres present on the rest of the album. “International Dark Skies” is little more than some deep bass pads amidst a subdued flurry of tribal drum patterns, while the title track is an upbeat dance number with trancelike ambient textures in the vein of early Autechre. Other tracks like the foreboding “No Exit,” with its screeching percussive attacks and bass loop, and “Number Nine,” which sounds like a descent into a subterranean tomb with subtle moans in the background for good measure, both build up gradually to a climactic array of tense industrial noise. The opening track “Ancients” begins with a dim swell of pads that eventually give way to a crescendo of frenetic breakbeats and sonic screeches, like being trapped on a runaway train racing perilously close to a devastating collision that comes in a resurgence of pads, though hardly the explosion one would expect. One of the more noteworthy tracks is “Waiting for Gira,” a brief but organic array of tribal drum patterns, thrumming bass, and noise-drenched guitars that build in tension only to end a little too suddenly. Tranquil washes of airy synths start “Just (Spooks)” off calmly enough, but once the pulsating electro beat comes in, we’re back on the dance floor with skittering samples and nice layers of glitch-laden electronics. A series of remixes close the album out as Tonikom offers their take on “Friends of Father,” while Antigen Shift’s remix of “Bone Music” is slightly more electronic in its percussive patterns than the original.

Bone Music is a rather impressive outing for Jairus Khan, proving that he has the chops to become a hero in the industrial music scene. With a hearty helping of melody and thoughtful arrangement coupled with a command of experimental noise and sound manipulation, Ad·ver·sary finds a balance between the brutal and the beautiful, sometimes unsettling and sometimes soothing, while still maintaining its own personality in the wake of a number of similar artists. Mastered by Iszoloscope’s Yann Faussurier, it may not be the most perfect release in the field of experimental electronic or industrial music, but Bone Music is certainly one fine collection of innovative music.

Chain DLK

After a 10 year run as a techno/industrial DJ and promoter, Jairus Khan has emerged from the shadows with his own musical project named Ad-ver-sary. Released under the Tympanik Audio imprint, Ad-ver-sary’s debut album “Bone Music” offers a very well thought out and developed blend of instrumental industrial, EBM, ambient, and noise. The key to this album is Khan’s ability to blend organic soundscapes and harsh industrialized rhythms and noise in a way that strikes a balance between what many would consider to be two mutually exclusive musical forms. Indeed, throughout the album, neither approach dominates the other. Some of the stand out cuts from “Bone Music” include the album’s lead off track “Ancients” which utilizes very simple samples and effects that gradually build up into a very powerful and driving industrial tour de force that is harsh and mechanical while maintaining a sense of musicality, and “Waiting for Gira” which features a very ominous militaristic beat that is backed by subtle soundscapes and a very evocative guitar part that is interestingly reminiscent of U2. For those of you who like harder hitting noise driven pieces “No Exit” and “Number Nine” are aggressive and cacophonous workouts straight from the factory. Overall, “Bone Music” is a great album that provides a glimmer of hope that industrial music is not dead.

Reflections Of Darkness


Jairus Khan is AD-VER-SARY. Already the name reveals various meanings such as the known one as an enemy or the Devil or Satan. In cryptography, the Adversary is “A malicious entity whose aim is to prevent the users of the cryptosystem from achieving their goal (primarily confidentiality, integrity and availability of data)”. Jairus is already involved in the music scene for a lone time being a Techno and Industrial DJ and doing promotional work for over a decade. After a creation process of over three years he’s now presenting his debut ‘Bone Music’.

Track Review

01. Ancients – 7:44
If you just reason the music from its title, then you could think that a slow, brooding, dreamy track is awaiting you, yet this turns out to be a wrong conclusion though the track begins quite calm with reversed sounds and a few frisky, melancholic melodies, but the further the song progresses, the more it changes and evolves through different levels. Fast, constantly alternating rhythms with a techno character are dominating the song.

02. Waiting for Gira – 3:06
Another song another mood. The bit crushed sounds at the beginning don’t give away very mush of the character of the song, but then organic sounding percussions enter the arena, just to be followed by a bass and a massive drum line.

03. Friends of Father – 6:42
Friends of the slower, friskier sounds will surely love this one. It all begins with hovering, looped piano layers and a constant background noise until the beat kicks in and captures you immediately with its multiple colours and textures. Organic and broken beats are pleasing the ears. At a certain point, the mood reaches a turning point. All of a sudden it’s getting gloomy, even menacing. Dark violins and strings reach your ears and push the mood to the maximum. However, the rhythmical foundation is changing as well into a more experimental direction, where layer is put upon layer.

04. Bone Music – 7:14
‘Bone Music’ continues with a dark ambient theme and you can hear distant choirs, like from another world and sustained layers of dream-like atmospheres floating through the air. The rhythm, however is a truly different thing and can be seen as the counter part. It’s like two different worlds collide. Like an opposing force in a battle, the rhythms fight, they’re swelling up, getting more complex yet they never prevail, they’re never able to displace the ambience.

05. International Dark Skies – 7:08
Some time ago, I read a story from H.P Lovecraft, one of his better known stories ‘Dreams in the Witch House’ and the protagonist in that story mentions a rhythm He’s hearing, a rhythm passing through time and space and every wall. I instantly recalled those lines, when I listened to the rhythm of ‘International Dark Skies’, which is radiating a mesmerizing spell. It gets inside your head and stays there, while dull ambient textures are surround you and dragging you deeper into the fascinating aura of the track.

06. No Exit – 5:18
‘No Exit’ doesn’t carry that name without a reason. Right from the start it creates the feeling of being trapped inside a room or a difficult situation in your life and you just can’t find a way to escape. The beats are fast, broken and distorted and equipped with many layers. Somehow they seem to reflect a certain rage and the melody or distorted bass bears witness of despair.

07. Number Nine – 9:51
This is a true sonic monster and not just because of its running time of nearly ten minutes. After a comparatively quiet start, marked by speech samples and noisy, metallic cold ambience, dazing beat structures are fading into the mix. And the track reveals its true face and becomes the definition of sample infused sonic warfare to me. These ruthless rhythms give you no time to rest. They’re raining down on you like hail, building up walls made of beat infernos. There’s no escape, no shelter…

08. Just (Spooks) – 6:43
The booklet includes a wonderful text to this track which I’d like to quote here at first “There were huge clouds just above the river, impossible ribbons of pink and purple staining the sunset. The fog was the deepest shade of crystal blue, and it seemed to be reaching up to the sky, trying to find the stars. „An absolutely beautiful picture, he’s painting and he was able to capture these very moments and to transform it into music, where crystalline piano lines and angelic choirs creating the feeling of being witness to a sunset, a magical moment of every day, when the daylight becomes the twilight to subsequently turn into the darkest night sky. Compared against this, the rhythms are very crisp and massive, making the earth quake underneath your feet.

09. Epilogue – 1:01
Only a speech sample with a closing sentence, you can’t add anything to. “Every person, without exception, is capable of doing the worsted things, just to live another minute.”

10. Friends of Father (Tonikom Remix) – 6:03
We’re entering the remix section and hear that TONIKOM gave ‘Friends of Father’ a genuine rework. Nothing with slow, brooding rhythms anymore, this one’s been completely replaced by with a much more vivid sequence of break beats and reversed sounds. I would call it danceable but that doesn’t exactly hit the core, but it clearly goes into e similar direction. Also my favourite element, the dark string arrangements have found their way into this rework.

11. Bone Music (Antigen Shift Remix) – 4:46
You can’t consider this one as a typical remix work either. Completely different sounds have been used for the beats and there’s much more vehemence behind them so they could tear down walls. Also I felt the ambient elements being very chary in the mix.

12. Number Nine (Synapscape Remix) – 4:04
The untamed violence of ‘Number Nine’ cut down to 4 minutes. That doesn’t work??? Yes it does and it’s indeed a bit creepy how concentrated the salvoes of beats come out of the speakers. The power which is unleashed here very much resembles the one of the original.

13. Urusai: Learned Helplessness (Destroy & Contaminate Mix by Adversary) – 7:57
As a bonus comes a remix Jairus made for another Canadian ambient/industrial project and it presents itself with lots of sound wizardry with extended synth layers in the back. Organic percussions fuse with electronic beats and samples. With the speech samples it also hints on the ‘Duck & Cover’ method, the US taught to generations of children until the 1980s. It was said to be a method of personal protection against the effects of a nuclear detonation. From a today’s perspective, it is elusive why people actually believed this.


Music: 9
Sound: 9
Extras: –
Total: 9


Before I received the copy of this album, I listened to some track son the project’s MySpace profile and to be honest, I wasn’t that excited by what I heard, but you should never jump to the conclusion, that something isn’t good if you haven’t heard the entire record a few times because there is music that needs to grow first and listening to the full album a couple of times changed my opinion. A quality blend of the organic and the electronic, the destructive power of distorted beats and complex arrangements side by side with the majestic beauty of ambient textures … Feelings made audible.


Jairus Khan aka Ad-ver-sary is a Canadian artist we discover through some remixes he made for Converter and Iszoloscope. It took more or less 3 years to this musician to write and achieve his debut release. It’s for sure a good thing to remain patient when composing your first release. Ad-ver-sary seemed to have taken the time to meticulously elaborate and create an own sound. The result is a fascinating mix between astonishing rhythms and well-crafted ambient atmospheres. The rhythmic is an essential element in the music. The complexity and power of the rhythms is simply great. It moves in between ritual and tribal styles while it sounds industrial as well. The percussion for sure makes the sound identity of this project! Behind this overwhelming rhythmic side comes a sonic puzzle of cold ambient soundsculptures. Here again Ad-ver-sary surprises in maturity and especially in knowledge for creating such arrangements. The main mood of this ambient part sounds definitely cold and a bit industrial like as well while some cool samplings have been added on top. It’s not that easy to define the style of this project, but once again Tympanik Audio has signed a progressive ambient project covering a wider layer of influences. Once again it’s quite difficult to give you some favorite tracks as the entire album is worthy of examination. The tracks “Number Nine” and “Just (Spooks)” are probably both belonging to the best part of this album. As a bonus we also get remixes by Tonikom, Antigen Shift and Synapscape. Tonikom did a cool job on the remix of “Friends Of Father” sounding less dark while the remix of “Number nine” by Synapscape is also quite well-done. One more great release on the promising Tympanik Audio!(DP:8)DP.

Igloo Mag

Ad-Ver-Sary’s Bone Music on Tympanik Audio (their output in the past year has been consistently prolific), sheds light on a more introspective industrial electronic approach. “International Dark Skies,” similar to Richard Devine, Einoma and Sunao Inami, treds on slow moving water with dripping beats and echoed effects at its core.


The still relatively unknown Ad.ver.sary project of the Canadian Jairus Khan surprises with a debut album which combines the best of spherical ambient IDM and technoid rhythmic industrial. Here the worlds of Asche and Converter on the one hand and acts like Displacer and Tonikom, merge into a perfect one. But beware, Bone Music s an album with tracks that aim for the dancefloor with a focus on the rhythms. Constantly changing patterns and sound textures in the various tracks go well together with technoid atmospheres and in a song such as ‘Waiting for Gira’ also a rocking guitar and bass lick is included, later joined by heavy drums. At other moments a track is build up with piano loops and violins to create a more majestic atmosphere together with slowed-down breakbeats. Next up are atmospheres which are more claustrophobic and threatening, with fast distorted beats and glitch sounds. What is striking is that the compositions have been carefully arranged, with layer upon layer resulting in a complex microcosm of sampled sounds, synth textures and rhythms. ‘Ancient’ perfectly illustrates this. Also the aggressive ‘Number Nine’ is an impressive sonic spectacle, which in the remix by Synapscape gets a more compact treatment. Bone Music is a refreshing album in this genre and it furthermore combines a wide array of electronic influences into a complex yet terrifying cold sound. The album furthermore contains remixes from Tonikom and Antigen Shift and a bonustrack, in which Ad.ver.sary has remixed fellow Canadians Urusai. Recommended and also another splendid release from the young Tympanik Audio label.


Der musikalische Underground Kanadas beherbergt einige Schätze, zu denen sich auch Ad.ver.sary zählen können. Im Bereich der elektronischen Klangerzeugung geht das Projekt von Jairus Khan ungewöhnliche und gleichzeitig auch spannende Wege. Die Songs auf „Bone Music” zeichnen sich durch immer intensiver werdende Thematiken. Die Songs arbeiten mit minimalen Melodien, durchlaufen diese aber durch verschiedene Sequenzen, Filter und Intensitäten. So beginnt beispielsweise „Ancients” relativ ruhig, steigert sich aber innerhalb der Komposition: da kommen zunächst blecherne Bassdrums, ehe dann ein gnadenloser Vierviertelbeat den Song nach vorne treibt. „Waiting For Gira” zeichnet sich durch einen fast psychedelischen Rocksound aus, der ebenfalls minimal, aber dafür intensiv ist. „Friends Of Father” könnte mit seiner sinistren Stimmung auch ein Massive Attack oder Protishead Song sein. Ganz anders wiederum „No Exit”, ein Industrialtrack vor dem Herrn: Verzerrte Beats, dezente Synthieparts, viel Energie. Ad.ver.sary scheint sich in allen Bereichen der elektronischen Musik heimisch zu fühlen und so arbeitet er unbeirrt alles ab, was ihm im Kopf so vorschwebte. Allerdings macht diese Vielfältigkeit das Album gegen Ende ziemlich fahrig und zerfranst. Und mit über 75 Minuten Spielzeit muss sich der Hörer ziemlich stark konzentrieren, um nicht den Faden zu verlieren. „Bone Music” ist der Beweis, dass es immer noch Überraschungen gibt, was Klänge und Sounds angeht, allerdings wäre hier die Konzentration auf eine Sparte dem Werk zuträglich gewesen. (4/6) – Nuuc


Enochian Apocalypse – Patient Canadian Jairus Kkan has finally found an outlet for his music, and about time too.  Bone Music is a cracking blend of Industrial, distorted beat splattered with flashes of orchestral and soundtrack structures.
What first hits you is just how organic this album sounds.  This is all helped along of course by the mastering work of Iszoloscope’s Yann Faussurier and with some of the rhythmical patterns dished out you could be forgiven for sometimes being reminded of his fellow Canadian.  That can be no bad thing though and is also a credible endorsement.
What I really liked with this release is the simplicity in which it approaches you.  Jairus manages to hold his own with the distorted beat crowd, yet still can produce some decent cinematic crushing soundscapes to boot.  It’s not rocket science, its not over technical, it just works, and Ad.ver.sary should find its home in any club or your front living room when you need to relax, as well as when you hit the dancefloor.
Only a couple of niggles, more personal tastes than anything else.  I don’t like samples taken from ‘The Prisoner’ as these have been over used, and a bonus track is never a bonus track if there isn’t another format to go by.  But like I state these are minor and pale away when you listen to the album in its full glory.
A sincere, fun and sold debut.  Lets not wait so long the next one please Mr Khan.
7.8/10 – Tony Young

Connexion Bizarre – In this day and age, where excellent electronic music is abundant and generally not very hard to find (if you make the small effort to search for it), it’s rare that I’m actually moved beyond the aesthetic pleasure of hearing something really good. Maybe I’ve just become jaded from being exposed to so much music throughout the years, I don’t know. But Ad·ver·sary’s (a.k.a. Jairus Khan) debut full-length album, “Bone Music,” moved me to feeling… more.
That said, “Bone Music” is also a significant release on a completely different level. It was released under a Canadian Creative Commons license, which means you can download the album for free, with liner notes and everything, from his website. If you’re so inclined, you can also do the man, and his record label Tympanik Audio, a favour by actually buying the CD from him.
This isn’t a groundbreaking album by any means. It is, however, a deeply personal album made from a masterfully produced mix of genres. A lot of the more danceable songs (read: potential club-stompers) on “Bone Music” have a structure, drive, length and beat buildup similar to progressive psytrance, but with the introverted characteristic of old school post-industrial gloom, the stylistic (almost theatrical) variation in rhythm and melody seen in Big Beat music, and sometimes even the no-nonsense, hard-edged abrasiveness of hardcore techno, darkcore and powernoise. The bass-heavy, contemplative and minimalistic synth lines (contrasting the thumping, driving rhythms) build up to a sudden shift in mood, an outward-reaching climax that lasts several minutes, making it hard for any listener to not get up and dance.
The use of breaks and rhythm in songs such as “No Exit,” “Just (Spooks)” and “Number Nine” remind me somewhat of Iszoloscope, but the melodies have a certain air of melancholy introspectiveness that more than anything makes me think of Coil. That air of melancholy is even more noticeable on the slower tracks that – instead of fast, driving rhythms – rely on heavy, tribal percussion (“International Dark Skies”), acoustic strings (the very dark “Friends of Father”) and even drone rock (in the Swans tribute, “Waiting For Gira”), making for some exceptionally powerful songs.
I’m not completely sure what it is about this album. It almost forces me look back at my life. Listening to this, I think back to being a little boy, my dad listening to old Pakistani folk songs on the stereo, and adventure movies on TV. I don’t know if it’s because it’s simply that fucking good, or if it’s just the way that the references in the samples (like cult TV-series “The Prisoner”) coupled with the melancholy, bassy melodies and drum work, somehow appeals to my subconscious.
In the end, the only negative thing I really have to say about this album is – and while I’m sure it’s a good way to help it gain some much needed attention – three of the four remixes on the album (though not bad by any means!) don’t really do anything for me at all. However, the final track, the Ad·ver·sary remix of the Urusai song “Learned Helplessness” is nothing short of stellar, and fits perfectly with the rest of the songs on “Bone Music.” — Jonas Mansoor [8/10]

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New reviews from Vibe, Zillo, and Chain DLK

New reviews from Vibe Magazine, Zillo, and Chain DLK.


Nachtlich playlist 06.08.08

Selections from Flint Glass ‘Circumsounds’ (x3), Disharmony ‘Cloned’, and Ad·ver·sary ‘Bone Music’ played on Nachtlich Industrial internet radio.


Digital: Nimbus playlist #289

A selection from Flint Glass‘ new CD ‘Circumsounds’ gets airplay on the prestigious Digital: Nimbus radio program.


Gothtronic reviews Disharmony’s ‘Cloned’ CD

Gothtronic gives Disharmony‘s ‘Cloned‘ CD a 9/10 in their recently online review.


Alooga Diskodip playlist #041 feat. Flint Glass and Subheim

Alooga Radio plays selections from Flint Glass‘ ‘Circumsounds‘ and Subheim‘s ‘Approach‘ on this week’s podcast.


Chain DLK reviews Subheim’s “Approach”

Chain DLK reviews Subheim‘s “Approach” with a resounding score of 4.5 out of 5 stars.


Darkroom reviews Disharmony “Cloned”

Darkroom Italian magazine reviews Disharmony “Cloned – Other Side Of Evolution” and recieves an 8/10.


Subheim’s ‘Approach’ reviewed by The Silent Ballet

The praise from the press is still coming in for Subheim‘s excellent debut album ‘Approach‘, this time from The Silent Ballet online magazine.


Flesh and Steel playlist 06.11.08

Pneumatic Detach and Totakeke (by request) get airplay on Flesh & Steel Radio 06.11.08.


Tympanik Audio releases receive airplay from Hidden Forms Radio

Chicago’s Hidden Forms Radio plays several selections from the Tympanik Audio catalog including Disharmony‘s ‘Cloned‘, Pneumatic Detach‘s ‘[]‘, and Subheim‘s ‘Approach‘.


Unterm Rad “The Rake’s Progress” reviewed by Connexion Bizarre

Online publication Connexion Bizarre reviews Unterm Rad‘s ‘The Rake’s Progress offering it a well-deserved score of 7/10.


Pneumatic Detach appears on this week’s Connexion Bizarre podcast

Another spin from Pneumatic Detach‘s new CD ‘[]‘ this week on Connexion Bizarre‘s podcast.


New reviews for Subheim and Ad.ver.sary @ Enochian Apocalypse

New reviews posted for Subheim‘s ‘Approach‘ (9/10) and Ad.ver.sary‘s ‘Bone Music‘ (7.8/10) releases, this time from Enochian Apocalypse.


Gothtronic reviews Pneumatic Detach “[]” CD

Gothronic gives an 8/10 to Pneumatic Detach‘s hard hitting new album ‘[]‘.


New reviews for Disharmony and Pneumatic Detach @ Chain DLK

More solid impressions for Disharmony‘s ‘Cloned‘ and Pneumatic Detach‘s ‘[]‘ CD releases, this time from Chain DLK magazine. Both releases receive 4/5 stars.


Ad·ver·sary “Bone Music” review in Connexion Bizarre

Ad·ver·sary‘s ‘Bone Music’  recieves an 8 out of 10 in a recent review in Connexion Bizarre.


Ad·ver·sary track on Cyberage Radio this week

Ad·ver·sary‘s “Ancients” gets airplay on Tommy T.’s Cyberage Radio this week.


Flint Glass played on several radio programs last weekend

Selections from Flint Glass‘ critically-acclaimed remix collection ‘Circumsounds‘ played on several online broadcasts over the weekend including Cyberage Radio, Hidden Forms, Connexion Bizarre, and Digital Nimbus


Connexion Bizarre reviews Flint Glass ‘Circumsounds’

Connexion Bizarre gives a 9/10 to Flint Glass‘ ‘Circumsounds‘ remix collection, out now on Tympanik Audio and Brume Records.


Totakeke ‘eLekatota’ reviewed by Wounds Of The Earth

An honest, no-holds-barred assessment of Totakeke‘s ‘eLekatota‘ by Dan Barrett of Wounds Of The Earth review blog.


Ad·ver·sary and Flint Glass CDs on Cyberage Radio

Selections from Ad·ver·sary and Flint Glass releases played on Cyberage Radio.


Review of Flint Glass’ ‘Circumsounds’ in Darkroom magazine

New review (in Italian) of Flint Glass‘ critically-acclaimed remix collection ‘Circumsounds’ by Darkroom Magazine.


Pneumatic Detach on Connexion Bizarre webcast this week

A selection from Pneumatic Detach‘s ‘[ko·mor·bid]‘ on this week’s Connexion Bizarre webcast.


Vibe Magazine reviews Flint Glass ‘Circumsounds’

German print magazine Vibe reviews Flint Glass ‘Circumsounds‘ [4/5]


Sphere Magazine reviews Autoclav1.1′s new album

Sphere Magazine reviews Autoclav1.1‘s new album “Love No Longer Lives Here“.


Dark Twin Cities reviews Lucidstatic’s ‘Gravedigger’ CD

Great review from Dark Twin Cities of Lucidstatic‘s new album ‘Gravedigger‘.


Lotus Lecture playlist for August 4th, 2008

Ad.ver.sary, Endif, Disharmony, and Autoclav1.1 receive airplay on the latest Lotus Lecture radio program.


Textura magazine reviews Subheim and ‘Emerging Organisms’

An unbiased review from Canada’s Textura magazine of ‘Emerging Organisms‘ compilation and Subheim‘s ‘Approach‘. Very descriptive.


Chain DLK reviews Disharmony and Ad.ver.sary releases

2 new reviews from Chain DLK for Disharmony ‘Cloned‘ [4.5/5] and Ad.ver.sary‘s ‘Bone Music‘ [4/5] CDs.  Also look for these reviews in the September issue of the German print magazine Zillo.


DJ MisterEntropy’s review of Endif ‘Carbon’

DJ MisterEntropy‘s review of Endif‘s new album ‘Carbon‘, from a fan’s perspective.


Review of Autoclav1.1′s new CD from Wounds Of The Earth

Wounds Of The Earth gives Autoclav1.1‘s new album ‘Love No Longer Lives Here‘ a 9.5/10 in a detailed and comprehensive review.


Wounds Of The Earth interviews Jairus Khan of Ad·ver·sary

Wounds of the Earth interviews Jairus Khan of Ad·ver·sary.


Lotus Lecture playlist – 08.11.08

Lots of airplay for several Tympanik artists on this week’s Lotus Lecture radio program including tracks by Endif, Disharmony, Atomatik13, Totakeke, Ad.ver.sary, and Autoclav1.1. Check out this week’s Lotus Lecture show here.


Connexion Bizarre reviews Broken Fabiola “Severed”

Connexion Bizarre reviews Broken Fabiola‘s new album “Severed“.


Review of EO2 from They Fell

Online music resource They Fell chimes in with their review of our latest compilation release ‘Emerging Organisms 2‘.


ESA and Broken Fabiola reviewed by Enochian Apocalypse

2 reviews in from Enochian ApocalypseESA‘s ‘The Sea & The Silence‘ [9.5/10] and Broken Fabiola‘s ‘Severed‘ [7.5/10].


Aphorism album release postponed

The release of Aphorism‘s debut CD ‘Surge‘ has been postponed until early 2009.


Displacer’s ‘The Witching Hour’ reviews are coming in…

New reviews rolling in for Displacer‘s latest work ‘The Witching Hour‘ from Machinist Music, Gothronic, Wounds of the Earth, and They Fell.


Excellent review of Tapage’s new album ‘TIORE’ from Connexion Bizarre

A most favorable and honest review of Tapage‘s excellent new album ‘The Institute Of Random Events‘ from Connexion Bizarre [10/10]


3 new reviews of Integral’s ‘Rise’ CD

Three new reviews of Integral‘s ‘Rise‘ CD from Gothtronic, Darkroom Magazine, and Wounds of the Earth.


New reviews for Autoclav1.1

A flood of reviews in for Autoclav1.1‘s highly-praised new album ‘Love No Longer Lives Here‘ from Re:Gen Magazine, A Model of Control, Reflections Of Darkness, Enochian Apocalypse, Andrew Hawnt, Aliens E-zine, Sphere Magazine, They Fell, Gothtronic, and Dark Twin Cities. Convinced yet?


Broken Fabiola signs to Tympanik Audio

Broken Fabiola signs to Tympanik Audio for their new album release ‘Severed‘ in late November 2008.


Stendeck interviewed by Aliens E-Zine

Stendeck interviewed recently by Aliens E-zine about his influences, writing process, upcoming new album ‘Sonnambula‘ on Tympanik, Space Polka, and Swiss women.


Kostas K. of Subheim / Spectraliquid radio interview

Kostas K., the man behind SubheimSpectraliquid, and our beloved Tympanik Audio graphic designer, interviewed by Solipsistic Nation radio show. Listen to the interview here.


4-pack of reviews from Grave Concerns E-zine

4 reviews in from Grave Concerns E-zine for Totakeke ‘eLekatota’, Subheim ‘Approach’, Disharmony ‘Cloned’, and Ad.ver.sary ‘Bone Music’. And guess what? We are offering these 4 releases for only $6 each right now. Hit the shop and grab these excellent releases on sale.


Autoclav1.1 interviewed by Sphere Magazine

Tony Young of Autoclav1.1 is interviewed by Sphere Magazine.


Tympanik Audio Winter Sale is on!

The Tympanik Audio Winter CD Sale is on! Grab some of our most popular CD titles by SubheimTotakekeDisharmony, and Ad.ver.sary for only $5! And to celebrate our first year, you can get our first 2CD digipak compilation ‘Emerging Organisms‘ for only $8 for a limited time. Give the gift of innovation. Visit the webshop to order.


Love No Longer Lives Here in ReGen magazine Top 10 of 2008

Autoclav1.1‘s new album ‘Love No Longer Lives Here‘ appears in Re:Gen Magazine‘s Top 10 albums of 2008.


Totakeke and Zentriert ins Antlitz reviews

New CD reviews for Zentriert ins Antlitz [8/10] and Totakeke [8/10] from Connexion Bizarre.


Reviews of Totakeke and Tapage from Heathen Harvest

New reviews in from Heathen Harvest for Totakeke‘s ‘Forgotten On The Other Side Of The Tracks‘ and Tapage‘s ‘The Institute Of Random Events‘.


3 new reviews from Chain DLK

3 new reviews in from Chain DLK for our CD releases by Endif, Lucidstatic, and Autoclav1.1.


Sound Protector review of Zentriert ins Antlitz ‘…No’

Sound Protector reviews Zentriert ins Antlitz‘s new album ‘…No‘.


Heathen Harvest reviews Lucidstatic’s ‘Gravedigger’ and Integral’s ‘Rise’

Heathen Harvest hands out great reviews of Lucidstatic‘s CD ‘Gravedigger‘ and Integral‘s debut album ‘Rise‘.


Tympanik Audio launches YouTube channel

Tympanik Audio launches its video channel on YouTube featuring Flint GlassBroken FabiolaTapagePneumatic Detach, Ad.ver.sary, ESAAutoclav1.1EndifSubheim, and more…


ESA interview with Enochian Apocalypse

Jamie Blacker of ESA (Electronic Substance Abuse) interviewed by Enochian Apocalypse.


Igloo Magazine review of ‘EO2′

Igloo Magazine offers a short review of ‘Emerging Organisms 2‘ in the editor’s ‘Top Ten of 2008‘ recap.


EO2 review by Darkroom Magazine

Darkroom Magazine reviews ‘Emerging Organisms 2‘ [8/10].


Re:Gen reviews ‘Gravedigger’

Lucidstatic‘s ‘Gravedigger‘ is still perking ears, this time with a review from Re:Gen Magazine [4/5].


5 new reviews from Dark Twin Cities

5 new reviews from Dark Twin Cities of Stendeck ‘Sonnambula‘, Broken Fabiola ‘Severed‘, Zentriert ins Antlitz ‘…No‘, ESA ‘The Sea & The Silence‘ and ‘Emerging Organisms 2‘ compilation. All well-written and worth reading.


Darkroom reviews Broken Fabiola ‘Severed’

Darkroom magazine reviews Broken Fabiola‘s ‘Severed‘ [8.5/10].


Interview with Tony Young of Autoclav1.1 by They Fell

They Fell interviews Tony Young / Autoclav1.1 about his upcoming new album on Tympanik Audio titled ‘Where Once Were Exit Wounds‘…


Pneumatic Detach on Invasion Wreck Chords compilation

New track from Pneumatic Detach featured on the new Invasion Wreck Chords compilation.


‘Severed’ gets another great review

Broken Fabiola‘s recent album for Tympanik Audio ‘Severed‘ receives well-deserved praise in a recent review from Heathen Harvest.


Tympanik to release new Black Lung CD

Tympanik Audio joins forces with Ant-Zen to release the powerful new album by Black Lung titled ‘Full Spectrum Dominance‘. Watch for it in June 2009.

Merry Christmas gummibåt


Elektrauma reviews Aphorism and Totakeke

German ezine Elektrauma reviews our new releases – Aphorism ‘Surge‘ [5.5/6] and Totakeke ‘The Things That Disappear When I Close My Eyes‘ [5.5/6].